
Wednesday, July 11, 2007
Sunday, July 08, 2007
Thursday, July 05, 2007
Wednesday, July 04, 2007
Thursday, June 28, 2007
Thursday, June 21, 2007
Wednesday, June 20, 2007
Sunday, June 17, 2007
Thursday, June 14, 2007
Tuesday, June 12, 2007
The most significant part of the dream was my reaction to the fear. I simply decided to wake up. In recognizing that my vision was completely unclouded in this place, I got the feeling I would see things I was not ready to see. Not because they would be horrible, but because seeing these things would bring a forced responsibility, one that I would have to take ownership for. To avoid this, I woke myself up, a knowing return to the comfortable muddle.
Recently I’ve been reading a kind of autobiography by Carl Jung (Memories, Dreams, Reflections), and in it he goes into intense depths of analysis within his own dreams, his interpretations almost acting as plot points within his story. In the prologue he writes:
“Outward circumstances are no substitute for inner experience. Therefore my life has been singularly poor in outward happenings. I cannot tell much about them, for it would strike me as hollow and insubstantial. I can understand myself only in the light of inner happenings. It is these that make up the singularity of my life, and with these my autobiography deals.”
Monday, June 11, 2007
_
One Sunday before Sunday school, I decided to wear one of my black Reebok high tops along with a white Reebok high top; a style that I had seen some kids wearing at Lincoln (Elementary School) around the time when Criss-Cross, the twin kid-rappers were popular, wearing their clothes backwards and all that. So I wore them and we sang, bided our time until we were let out. No one had said a word to me about the shoes, but that was not unusual as most Sundays I passed through as quietly as possible.
_
Last fall I attended the wedding of an old friend from Mineral Point. At the wedding I talked to Troy, an acquaintance while growing up, about our shared experiences, and he mentioned the mismatched shoes as something that he had always wondered about. I explained myself in the same way that I had been prepared to explain myself back then, that I couldn’t find the other shoe. In writing this I realize I haven’t really earned much perspective on this phenomenon.
Sunday, June 10, 2007
_
And I would be wrong if I thought this were true, these words. Surely someone or something disagrees, and even if they are not here to dispute it, consider it done. A cat snores. The question of meaning is the answer leading by example, by risking one’s own conventions. By risking more. There are many ways to fail and be unsure but pushing forward regardless is conviction, an acceptance of the inevitable uncertainties and the limits of dualism: that one or the other or the distance in-between; the location, is just a mark on a map, a bird’s eye view. Those eyes, the small ones, and why courage fails us to stay with ourselves.
Friday, June 08, 2007
Friday, May 25, 2007
Wednesday, May 23, 2007
Thursday, May 17, 2007
Amy occasionally expresses disdain for his audible hobbies, and I feel, as someone who enjoys video games, that I could relate to him, the sounds of foot steps and a scampering cat adding to the confusion of rumbles and machine gun fire. When Monique had come to visit, she got the floors mixed up on her way down from the roof, and tried to enter his apartment, finding it locked. She knocked and was surprised to see him open the door, a beard and hairy chest. Amy saw him drop his sandwich on his way down the stairs.
Monday, May 14, 2007
Thursday, May 10, 2007
Monday, May 07, 2007
Wednesday, May 02, 2007
Monday, April 30, 2007
The story goes that red boy was born as a lump of meat, which was cut open with a sword by his father, and from which the child emerged wearing red silk trousers which glowed with light and a magic golden bracelet on his right wrist. He was an incarnation of Ling Chu-Tzu, “the Intelligent Pearl” and when he was seven years old he was already six feet tall. He performed many miraculous deeds and defeated the dragon king’s son, for which he was shamed by his father. Red Boy responded by cutting the flesh from his body in remorse until he was reduced to nothing. Seeing the suffering of Red Boy, Guanyin appeared and covered his remains with lotus leaves, which revived him and reconstituted his body. From that moment he became a dharmapala, a fierce protector of the faith.
Sunday, April 29, 2007
Tuesday, April 24, 2007
That's what misery is,
Nothing to have at heart.
It is to have or nothing.
It is a thing to have,
A lion, an ox in his breast,
To feel it breathing there.
Corazon, stout dog,
Young ox, bow-legged bear,
He tastes its blood, not spit.
He is like a man
In the body of a violent beast.
Its muscles are his own...
The lion sleeps in the sun.
Its nose is on its paws.
It can kill a man.
-Wallace Stevens, "Parts of a World"
Thursday, April 19, 2007
Wednesday, April 18, 2007
Saturday, April 07, 2007
Wednesday, April 04, 2007
Sunday, April 01, 2007
Wednesday, March 28, 2007
Friday, March 23, 2007
Wednesday, March 14, 2007
Wednesday, February 28, 2007
Saturday, February 24, 2007
Tuesday, February 20, 2007
Don’t you have a map?
A collaborative, traveling essay in letters‘twixt Erika Howsare & Jen Tynes.
Part 12, J to E-
The Student BODY IN CONTRAST
A shine. To you an apple
waiting. A buff brown
collar, around the corner
thing. Will not believe in
G.S. except in slang,
mandatory. A CONTRAST
is like a little bell you break
to remember winter. A bell
you melt down. Tinkling. Slang.
Yellow bus stop
for me, yellow bus stop
stinking. There is no BUTTONS
here, BUT A BLACK BOOT
is to hang-over what art
is to exercise. Monitor it all
weekend. Fill the public air
with persons, site-specific food
aroma and the experience
SHAMS itself. The video
cassette recorder is
JAMMED and full of tape.
RECORDING
It used to be much easier to
speed them up. Not easier
but physical. Not easier but
of childhood. Of childhood
stills? (I made every album
sound / Every album sounded
like The Chipmunks.)
PUT A BOW IN YOUR HAIR
and change the conversation
Red heart of a mouth at the
bus stop doesn't know those
androgynes in plastic dresses,
with flower names. What about
you, in the dusty place one
conversation makes it? What do
we agree on about good and
evil?
E responds to J when and where it's appropriate.
Please visit http://www.horselesspress.com/amap.html for the whole hog.
Email Erika & Jen: editors AT horselesspress DOT com.
Monday, February 19, 2007
Tuesday, February 13, 2007
Monday, February 12, 2007
Sunday, February 11, 2007
Wednesday, January 31, 2007
Tuesday, January 23, 2007
Thursday, January 18, 2007
Instead, no, it is the frame we are looking at, describing. Exists in a bubble and at the same time, supremely talented. Both you and us. I and them. The King and I. Etc. So it is not the thing, no, it is not a matter of right and wrong, not the materials and principles, the backlog of information accessible to us through the Internet, a phone call away, walking through the graveyard on a cell phone, but the groovy eye, the one eye, the shut your eye off once in a while eye. No pictures, no piles of pictures, not an immensity of stored data. I go back and lose it, the train of thought, the interruption a phone call an email, the end of an empire, the idea of an empire to hold and to cherish. Past an idea, past discussion, nobody would believe me anyway if I told them, saw it myself. No, what we’ve become is not a thing. We’re too complicated now. “Of Being Numerous”. George Oppen. But we must have a thinglyness. It must have a thinglyness, but not as a thing derived from a thing, the new model, but a mode a transport. Not the words but the mechanism of delivery, or watching and being watched; that we will understand over the course of time, that our infinite subjective will settle.
It is no longer a fractured world, a waste land of dejected pieces, but a world of infinite connection. And no longer do these connections defy explanation. History and science and economics are cornering the market. We can explain almost everything. A non-sequitor is traceable, not fooling anyone. No, we are left with a wheel of subjectivity, a wheel of experience where everybody is right and everybody is wrong. We have turned back on ourselves, back to our mechanisms of perception. Seen as the media, touched as an advertisement. Sometimes yes and sometimes no. Sometimes sometimes and never maybe. Always maybe. What does it matter? A man slashes at an already dead fish. Time moves on. This is our next challenge, certain in our uncertainty, the inverse, and one that doesn’t. Plurality. The plural. And to connect that which we need to is to rediscover that which we need. And so what it is is not a thing but the thing’s movement, the machine and what it is doing, where it is taking us. Yes there are many kinds of trees in the forest. Yes, some of them are particularly beautiful yes. And yes we are standing on a path, and yes there is a swath of trees knocked down over there. But the movement. The drawing of lines, connectors, this is our task.
Friday, January 12, 2007
Monday, January 08, 2007
Wednesday, January 03, 2007
Wednesday, December 27, 2006
“You know, your bike tire is low on air.” I said. She had stopped and was looking at me. The party was over and she was about to get on her way home. “I don’t have a bike pump.” she said indifferently. “Oh that’s alright. I could leave one in your box. I’ve got a little one that I use for my bike. It works great.” She said, “I’m not a goal oriented person." and rode off.
“I don’t know where I am or who I’m talking to.” I had said to Aric while laying on a clean bed at a cabin somewhere east of Portland Oregon. I really didn’t know at the time. It was a bachelor party and it was the first night. Greg had given me some kind of opiate, and mixed with the absinthe, booze, and pot, it just knocked me out. I went up stairs to give it a rest. Aric came up and started talking to me, as he does sometimes when I am trying to pass out. I was trying to listen but faded out. He reminded me what I had said sometime later.
“No matter how much you exercise you’ll never be healthy.” Greg repeated back to me. “You know Tyler, you just say the most amazing things. All of a sudden, you just spit out these pearls of wisdom. No matter how much I exercise I’ll never be healthy. Wow.” Of course at the time I really thought he meant it. In retrospect I realized that he was being sarcastic, and that he was trying to indicate to me that I should shut my mouth. At the time I felt encouraged.
Sunday, December 24, 2006
It has come to my attention lately that a question concerning my poetry practice needs to be addressed: I write poetry, or do I write souped up narrative, getting lost in brambles by design. It would seem that largely, as long as I am simply removing chunks of my notebook and reworking them into appropriate forms, forms that look like poetry, borrowed forms and forms half filled, I think an argument would have to be made that I am not writing poetry because I am not engaging in challenging my means of communication, to say something I haven’t said before. There are times that I have done so, and do so, but I think if I err, I err on the side of presenting a mystical narrator rather than writing a poem, in love with myself as I can be.
Perhaps there is some merit in this, this engagement with the self (an idea of the self) that falls outside of narrative, and back into the category of new language, found or noticed or created. I think this is what Liz was known for, challenging these ideas of self specifically through language, as if talking to yourself on the boundary of self. In terms of prose, self appearing in or as or creating a mythic narrator and openly questioning the legitimacy of that myth. Poetic prose, prose poetry: challenging our ideas of narrative. Is this less than or equal to pure poetry? Where does it belong?
Thinking about Tod and Forest, to a degree, their work is very much about the language interaction and intersection with itself, a persons’ idea of the poem. However not everyone can be T.S. Eliot, and as much as I respect his writing, I usually do not choose to engage with poetry on a such a personal level. And by this I mean I usually do not take poetry as the primary “topic” of my poem, or say take poetry as a thing as my motivator for writing. Sometimes yes, but there are stories I need to tell and jokes I want to make. What is unfortunate that my multi-interest in poetry and writing, is not seen as a serious engagement with poetry, and this is true, it’s not a serious engagement with language but an interest in mediating my own personal narrative. Is this poetry? Not always, but sometimes.
So I guess I can’t blame them for not taking my writing seriously. Nor can I blame Jon Kinsella for ripping to shreds “The Revisionist” or Ed’s insistence that she doesn’t understand my poems. After all, the majority of what I write does not qualify as poetry on a literary level, and so many times have I noticed that a person’s interest in my work is tightly bound to a person’s interest in my person. Without that, I’m not sure the majority of my poetry makes any difference to anybody. It’s simply pop music or something that exists for entertainment purposes, and they’ve got to call it like they see it and we don’t mind.
If poets weren’t so intent on impressing their peers and instead were writing for themselves, than maybe more people would read poetry that doesn’t manipulate them in obvious ways. I do believe that the nature of engagement within language is a relative phenomenon in that what is new for some is not new to others. Professionals, I suppose, make it their business to know what is new, and old.
Wednesday, December 20, 2006
Found a dead red tail hawk when I went to pee. Driving with my father out in the country side for some reason, I was about five and needed to releave myself. We saw it and picked it up, putting it into a trash bag and in the trunk. The DNR told us, after affirming that we weren’t the ones who killed it, that they had no use for it, and that maybe a university or school could use it for research. We contacted my grade school, I was in second grade at the time. They told us that they had no use for it unless it was stuffed and we weren’t about to do that. Why was it dead? It was probably killed from the power lines. There were no noticeable injuries to its body. It was warm and loose when we picked it up.
A hawk perched outside a fledgling bookstore. This one could have been a sign. Like a wolf falling from the sky into the arms of a child with a speech impediment. A sign of future glory. The store was in Brooklyn, owned by a friend of mine. I had helped him build the bookshelves and did the walls for him, painting and repair. In the end I had felt somewhat edged out of the operation, not that I had invested anything other than my time, but I had felt that I had helped him and the bookstore a considerable amount and was hoping to be a part of the bookstore’s future, to be included in some of the decision making in the bookstore’s future. It didn’t work out that way but the store is doing well.
An owl flew up from the middle of the road, a long night in a strange town; the key had broken off in the car’s lock. Jake and I had been painting at Pam’s weekend home in the very Southwest corner of Massachusetts, a town called Ashley Falls. One night we were feeling a little stir crazy and went out to a town about thirty miles north, where there was a kind of nightlife. We wandered around, making our longest stop by a group a street musicians. They were just high school kids but sitting with them made us feel as if we were a part of something larger. As we were leaving I turned the key too hard in a lock that was broken anyway. We called Pam and she came with an extra set of keys. Its wings were huge.













