Friday, August 31, 2012

About that first week (see last post), it's not often that every single second of one's day one's week is an entirely new experience. That, and coming out with arms and legs and health, for the most part, fully intact. This second week was not nearly as difficult and I'm beginning to relax and get a sense of the rhythm, what I need to do and how much time I can take doing it. My students are smart and proactive, and definitely different than the academy students. They seem a lot more driven, are younger, and are better readers. It's nice to be able to assign longer readings. And the material that I'm teaching is more interesting than the Academy courses. This is part of what I came here for.

As far as classes, I oscillate between mind-on-fire and there's-no-way-I-can-finish-all-this-by-tomorrow, but it's, for the most part, completely engaging and energizing. The world of rhetoric and composition is surprisingly unfamiliar, having spent the last ten years amidst writing teachers, it's strange that most everything I'm encountering here, as far as ideas, is news. On the other hand I've gotten the impression that all my teaching experience doesn't count for much in terms of the Rhet/Comp conversation. What I was teaching, a variation on "current-traditional", is considered "bad" teaching, and so I've been experiencing, first hand, the divide between the academic world and the "real world." A quick dismissiveness of experience, and faith in a certain kind of intelligence that I'm not convinced holds up well beyond campus (see the Republican National Convention and the possibility that Romney might win, for proof of this).

But I'm going to try and keep my mouth shut, as best I can, try to keep my ego in check, and try to submit to the discipline. I trust my teachers and I trust the program. Change is hard and doubt is useful. It will take some time to settle in, and in the mean time, why not enjoy this sliver of perspective? Balurble wargle. Waddle waddle waddle. Flallulaluls. Yeeeea howwwh. Uhf. Blaburble bloggle bah. Hffft. And so ends the second week. Dara is back (in California) from her silent meditation and thank god, I missed her. The weather people say Hurricane Issac will make it's way as storm, up here this weekend. Looking forward to staying in and reading, taking care of my sore throat and resting. Happy Labor Day.

Friday, August 24, 2012



A classic is something that is always nice.
One day when I was a kid, I felt something in my ear. I tilted my head and a fly covered in ear wax came out. I expected a bean or something. Once I woke up with something in my mouth and this time, thought it was a fly. But when I opened my mouth into the bathroom sink and let it roll out, it was a tooth. Last night I had a dream about playing cribbage with my brother and he was cheating. He played five cards straight in the counting round and made a slew of points and I got so mad I stood up and left the the table. Later in the dream, or maybe in waking life, I realized that you can't play five cards straight if you follow the rules of cribbage. And thought about how if I hadn't gotten so mad and blinded my reason, I would have called him out.

Graduate school has been difficult so far. It's wonderful to have to time to read and study and discuss but the adjustment to taking classes, the schedule and relentless work load, that I'm certain will only get more intense, has left me questioning if this was such a good idea after all. Change is hard and this is going to be painful. Of course, there are worse pains and worse problems, but it will be some time before I settle into a manageable rhythm. On top of the work, there is the work of teaching, teaching a brand new course in an unfamiliar format. Fifty minutes five times a week. I told Don that I couldn't set the chairs up like I was used to doing, the rooms being so small and full. Don said, "it changes your pedagogy [these kinds of adjustments]." I've been thinking about that simple phrase ever since.

And so I'm at the bottom of the learning curve, and in some sense, slightly below it, having to unlearn six year of teaching habits while simultaneously adopting new pedagogy and approaches to teaching. The good news is that all these approaches are interesting and I think, better and more helpful to students than some of the ones I was using. And that's why I'm here, to grow into a more versatile creature. But in the mean time, survival mode is on and the walls are up. Lots more to say but there is even lots more to do, and I need to get to it. See you soon. Love,

Sunday, August 19, 2012

One of my neighbors, I just learned, used to be a hog farmer (he's now studying veterinary medicine) and it made me think of one of this poem. By David Lee, from the Porcine Legacy (Copper Canyon Press, 1978). It works best when read out loud as fast as possible.

For Jan, with Love

1.

John he comes to my house
pulls his beat up truck in my drive
and honks
Dave John sez Dave my red sow
she got pigs stuck and my big hands they wont go
and I gotta get them pigs out
or that fucker shes gonna die
and I sez John goddam
well be right down and John sez Jan
he yells JAN wheres Jan shes got little hands
she can get in there and pull them pigs
and I sez Jan and he sez Jan and Jan comes
what? Jan sez and Johns red sows got pigs
stuck and his hands too big and wont go
and hes gotta get them pigs out
or that fuckers gonna die (John he turns
his head and lights a cigarette)
(he dont say fuck to no woman)
and Jan she sez well lets go
and we get in Johns beat up damn truck
and go to pull Johns pigs

2.

Johns red sow she doesn't weigh
a hundred and sixty pounds
but he bred her to his biggest boar
and had to put hay bales by her sides
so the boar wouldn't break
her back becasue Carl bet five dollars
he couldnt and John he bet
five she could and John he won
but Carl enjoyed watching anyway

3.

Johns red sow was laying
on her side hurting bad
and we could see she had a pig
right there but it wouldn't come she
was too small and John sez see
and I sez I see that pigs gotta come out
or that fuckers gonna die
and Jan puts vaseline on her hands
and sez hold her legs and I hold her legs
and Jan goes in after the pig
and John gets out of the pen and goes
somewheres else

Jan she pulls like hell pretty soon
the pig come big damn big little pig
dead and I give Jan more vaseline and she goes
back to see about any more
and Johns red sow pushes hard on Jans arm
up to her elbow inside and Jan sez
theres more help me and I help
another pig damn big damn dead comes
and Johns red sow she seems better
and we hope thats all

4.

Johns red sow wont go
out of labor so we stay all night
and John brings coffe and smokes
and flashlight batteries and finally Jan
can feel another pig but Johns red sows
swole up tight and she cant grab hold
but only touch so I push her side
and she grunts and screams and shits all over Jans arm
and Jan sez I got it help me and I help
and we pull for a goddam hour and pull
the pigs head off

and I sez oh my god we gotta get that pig now
of that fuckers gonna die for sure
and John sez what happened? and Jan
gives him a baby pigs head in his hand
and John goes somewheres else again
while Jan goes back fast inside
grabbing hard and Johns red sow
hurts bad and Jan sez I got something help me
and I help and we start taking that pig out
piece by piece

5.

Goddamn you bitch dont you die
Jan yells when Johns red sow dont help no more
and we work and the sun comes up
and we finally get the last piece of pig out
and give Johns red sow a big shot of penicillin
her ass swole up like a football
but she dont labor and John sez
is that all? and Jan wipes her bloody arms
on a rag and sez yes and John climbs in
the pen and sez hows my red sow?
and we look and go home and go to bed
because Johns red sow that fucker she died

Sunday, August 12, 2012

I moved into my new place in Indiana last last Thursday and tomorrow I begin the orientation for the Rhetoric and Composition program at Purdue. It has been an amazing summer, focused on the sensory and experiential rather than the intellectual, which might make for a difficult transition this coming week as I'm plunging back into the world of academia. Next week I start teaching and taking classes but I'm told even though this week is an orientation, it will be intense, a kind of boot camp for the coming teaching and course work. Who knows. In the mean time, here are a few facts about my move to Indiana: there was a dead mouse in my toaster, 179, 451 thousand people "like" the website dmv.org and Chris Rock doesn't relate to his kids. The cicadas are sustaining a high pitched drone that isn't that annoying and I keep finding their carcases on the sidewalk. The sky is over cast and it's about a fifteen minute bike ride to get to campus.

I have health insurance now, and a spacious apartment in Lafayette Indiana. People are nice here and it's been not too hot. Last night there was some kind of festival on main street but I stayed in to apply a few changes to the collection of songs / album that I've been working on this summer. Here is one of my favorites, it's rather long and I recommend you sit down and plug in. Pause pause. It's been a very non-literary summer in the sense that I've done hardly any writing. Having Dara next to me almost twenty-four hours a day for two months meant, amongst other things, that instead of sitting on thoughts until I had a chance to express them, I just talked all day non-stop. Why write anything down if you can just lean over to the person next to you and say it? There's an answer to that question. I don't know the answer to that question. But it might take me a little while to find my "voice" again for the blog.

The Wabash river runs through the middle of the town, dividing Lafayette from West Lafayette. The county is named Tippecanoe, which you might know from the expression, "Tippecanoe and Tyler Too" which, growing up, I heard about three hundred times from different people when they learned my name. Google search. The short version is it was a campaign song for the Whig part in the 1840 presidential election. Better yet is the actual song, as re-recorded by Oscar Brand for the Smithsonian and easily found on Wikipedia. And by better I mean pretty weird. This one goes out to the state of Indiana...

 


Monday, August 06, 2012