
Saturday, June 28, 2008

Sunday, June 22, 2008
Friday, June 20, 2008
Wednesday, June 18, 2008
Tuesday, June 17, 2008
Friday, June 13, 2008
You’re at your best when you believe or refuse to believe you or the idea of you, your self at your peak like your first kiss or paycheck. Your failings are your own, your problems to be dealt with by you, for you and nobody else. You mind your own business, you take care of yourself. You are healthy. You are clean as all get up. You feel good you feel proud of who you are, you are under your control, your watchful eye, your hands in your pockets fingering the money that you made on your merit, yours alone. Of course you don’t expect people to respect you immediately, but once they get to know you, the real deal, the real you, they’ll like you as you, your balloon says you, your clothes are so you. The you in you is the only you, unique and youthful, young and proud, brave and ready to move against weakness. You are a universal symbol of yourself. Your values are all you, no influence can corrupt you, the pure you, the unabridged entire you. Your smile radiates lakes and rivers and streams producing beautiful fish and insects on account of you. Your babies and your child, your children are you repeating as only you could. Adorable you you are adorable. Your hands mark your body, the beginning of your arms is in your finger tips. Your head is the size of your chest. Your grapefruit like eyes mark your vision as fresh as lemon juice. Your tight pecs and bi-lateral quadriceps make incisions of joy in your admirers, your friends are yours, buoyant because of you, the rock, your grit and steadfast ability to monitor greatness in others comes from your translucent you-ness, the essence in you is you. You know it. You make successful transitions from place to sea to shining waitress because you carry yourself well, your weight is your shadow and your shadow follows in your wake. You predict disaster for others because you know disaster, you devil you. Where you walk around, head full of ideas, your own thoughts like your dog or your clothes you take care of, wash meticulously and hang on the line in your back yard. Skip home you’re in love. Come home.
Wednesday, June 11, 2008
The customer wanes and I repeat myself in service, becoming the willow tree by the crystal river as a landmark of availability my watch says we're open for thirty more years and shoot lasers into the customer's Hepatitis B saddled liver or so I tell my doctor who doesn't believe me because I seem too "nice" to have dirty drug problems, but anyway, I lead them into the back room, cut off their hands and smear paint on their face and they thank me and I pocket a cool stack of appreciation notes.
Lunch time: everybody's favorite state of mind the realized swim about, I breakfast table the ambiance of a cat calling Wilco, the milk toast leprechaun, Chani, or other characters in Dune come through the doors slowly one by one and sign in rainbow script the will to turn mean evaporates and it's give give give with the corporate self consciousness, the "Indiana" of preventative measures the Anne Bancroft of hilarious stock room follies walks in and I practically give away pairs of jeans that fit perfectly a diamond 'x' pattern on the back pocket and a little hole on the waist band to signify an incredible style in tune with the very buttons on your shirt
because this is energy leaping over small woolen academics no more are we understanding embodied the skeletal remains of mix and match grouping herds according to cow stress the farmer transcends the dawn, puts on make up and barks orders at the chickens to "start clucking and put out some mother fucking roly polys" and I turn the sign around and count up my stack of nothingness and take some off the top and pull the metal grate down hard to attract attention from onlookers and passer bys and go home to my one bedroom summer cottage and turn the light on seen from the street seeming peaceful like a stranger winding down and getting ready for bed goonight.
Wednesday, May 28, 2008
Rosei’s Dream
Monday, May 19, 2008
_
Cole is a good friend and I think this is one of his best mixes. Like a lot of ambient music, it fills a space with feeling rather than hooks and lyrics and meanings. I write this out of experience: sitting in the kitchen grading papers and listening to these CDs over and over again. Later I put them onto my mini-disc (no ipod) and started to walk around with them, but I have to admit they work better at filling a room than a mind. What's strange is that I've never heard most of the musicians on these mixes. That there's this much supremely excellent music out there that doesn't even approach popularity is a comforting thought of what's to come. Now that the world has been discovered, our job, instead of succumbing to cynicism is to connect the disparate pieces that lie on the ground, or pull them out of dumpsters. Our job is not to create but to connect. If you find it easy to say what's on your mind, practice restraint; and if you have a hard time getting comfortable, insist on what you want. We live in a golden age of music.
_
Ambience allows for change: the bells outside or a roommate coming home. Any smell could fill the kitchen but there is such a thing as choice. Riding the train with my headphones on I imagine my life as a movie: somebody sees and hears what I see and hear and puts it into context; the back story, but we know there's no one there. I was told once that the only kind of work harmful to a person is mediocre work, work that doesn't care enough to be good or bad. "What is the definition of mediocre?" asked Krishnamurti. Answer: Pushing a rock half-way up the hill. I get angry at people who don't think this is profound. A song can be skipped but let it play. Speak clearly, sit up straight and be ready. It's hard to be ready.
Monday, May 12, 2008
Thursday, May 08, 2008
Earlier today I spoke with my brother by accident, stationed at my sister’s house for spring break. He was building a boat in the backyard. What kind of boat? I asked. “A row boat.” he answered, for his upcoming wedding. Somehow the ceremony will take place on an island, and all to bear witness will cross water to do so.
What this means is that due to a lack of tension, it’s nearly impossible for me to beat anyone in arm wrestling with my right arm. I used to think it was some kind of psychological failure, when in fact, there’s nothing to be done about it. This transfers into rowing, or any kind of upper body oriented activity, where this surplus flexibility makes it difficult to focus torque in a constant direction. I’m totally lost.
Thursday, May 01, 2008
TARPON SPRINGS, Fla. - Florida authorities confirmed that Deborah Jeane Palfrey, convicted of running a high-end prostitution ring in Washington, is dead in a suspected suicide, NBC News reported.obviously, she was killed by powerful people (politicians) who don't want their careers ruined by extra-marital affairs. furthermore
TOKYO - Japan's oldest giant panda, Ling Ling, a longtime star at Tokyo's largest zoo and a symbol of friendship with China, died Wednesday of heart failure, zookeepers said.obviously, she was killed by powerful people (politicians) who don't want their careers ruined by symbols of friendship. Better yet, here is an editorial that appears in this week's San Francisco Bay Guardian regarding organized labor and today's protest of the war. Briefly,
Members of the International Longshore and Warehouse Union (ILWU) will lead the way by refusing to work their eight-hour morning shifts at ports in California, Oregon, and Washington. For them, it will be a "no peace, no work" holiday — in effect, a strike against the war.Happy May Day. Workers of the world unite...now I'm off to work for a place with nothing even close to resembling a union and needing one desperately...get one's own house in order?
Sunday, April 20, 2008
Saturday, April 19, 2008
Two Political Paragraphs Ending in Cynicism
i.
Politics: Hillary Clinton and Barak Obama are both excellent choices (Obama more so) for the Democratic nomination. Either one appears to be capable of beating John McCain and hopefully changing the direction of this countries’ leadership. This in mind, both candidates should be careful not to mistake each other for the enemy. The only way that Democrats could lose the 2008 election is by political infighting and the disorganization it leads to. I suspect one tactic of those who do not wish to see either candidate win is to play up the divide between these candidates a la Brad and Jen, Paris and Nicole, Mary-Kate and Ashley Olson, etc. One wins and the other loses while in reality both lose as the media sets the tone, writes the story, and solutions to our current political situation gets lost in the hype. God bless the hype. After all, how could we avoid ourselves without it?
ii.
Equality leads to competition and competition inevitably leads to conflict. After spending a year in
Monday, April 14, 2008

To react and respond. To keep going or not at all. This kind of writing as a form a meditation, to watch thoughts come and go, to be able to shift between perspectives a sign of health; thus it becomes necessary to write through patches of doubt. Last Tuesday, almost half the class didn’t show and I found this…discouraging.
Sunday, March 30, 2008
Geometric Haircut
Liu Hai was said to posses a three-legged frog that could transport him anywhere he wished, but on occasion this frog would slip out of his pocket and jump into the nearest well. To retrieve the magic frog, Liu Hai would dangle a fishing line baited with a single gold coin, feeling for contrast. The same angle from a different side.
Thursday, March 27, 2008
and then another tow truck a kid talking frantically on a cell phone outside a bar a scam a set up and approach an idea premeditated a graduate school and a static flock of sameness as a known constant he asked I sympathized he gave me the deed to his car for collateral forty bucks later a couple phone calls to what may have been his parents to no fruition i threw the deed away in want of putting it away
i reached across his desk and broke his pencil both times in the middle of something both times in service to an abstract idea of good to quote again from 'tree of smoke' "I was dating Darlene Taylor until this hippie named Michael took her to a party and gave her drugs and fucked her and turned her into a hippie and if michael the evil hippie is against the war, than I am goddamn for it. That's all I know."
Monday, March 24, 2008
Sonnet
The town is empty because I have my headphones on.
Sitting in the cafe window two men with glasses eat breakfast.
Intellectuals need their space.
The stoplight was green but there were no cars
to go. I walked across the intersection.
I reached into my pocket
and found finger nail clippers. I put them there
to remind myself. John
handed me a pear blessed by Buddha.
Surrounded by statues of the Buddha.
I had been feeling kind of disconnected, and thought the pear
might help. By setting it on the counter at night
I remember to eat it the next morning.
My face is sweet like a teenager.
Thursday, March 20, 2008
Wednesday, March 19, 2008
Tuesday, March 18, 2008
We work to be with each other but are kept by the work. This is a description of loneliness but I am not lonely, worried about the future, the week off, the surplus of time and lack of things to do with myself. If I had an invitation to seize I would feel more settled and I do: Portland on the 20th but until then everyday, get to know the city maybe travel to the grocery store and settle into this apartment. What I don’t want to do is worry about what I’m not doing or have to do or stay so busy that I run out of things to think and forget to relax to take my time, to ease into tomorrow its supposed to rain all day and I look forward to it, to be warm inside all day tippy tacking on my computer while the insects hide in their nests. I’m one of them I guess. But the strange thing about these fears is that they run deep and grounded in real life situations, because last night, I could not sleep. I tossed and turned. There were things on my mind marking an area to walk carefully around. What I really want is to lay in bed and smell the light streaming through the old barn window the fire high on the mountain unable to keep us warm so far away from home. We try to understand and engage this primitive mind without choices and try to quote from nature but end up with muddy things and rocks held between impossible straights the practice making us perfect and translation a result of our frustration it seems easy to reflect on the earth’s curve but there is motion to coming around.
Monday, March 17, 2008
When I was in 2nd grade, we were given a crossword puzzle, and I sat at my desk and filled in the blank spaces to the best of my knowledge, unable to find the answer to a number of questions. My desk was in the front row and I could easily see into the basket where work was collected, completed crossword puzzles and all. Feeling a twinge of guilt, I filled in my missing answers with Kevin Gregg’s answers, and a couple days later when we got these puzzles back, mine was affixed with a bright sticker of a smiling bear and the words “Grin and Bear It” beneath the bear’s body. Confused by what this meant, Mrs. Rocco explained the word play and smiled at me.
Thursday, March 13, 2008
Subject: hello. please call me.
Tyler:
dear team: i've lost my cell phone. i think. i think it's turned off but am not sure. my worst fear is that somebody has found it and is making calls calls calls and i'll have to pay for it. if you get a chance to talk to this person please tell him that you are the police. the battery will be dead soon. if i don't find it in a day i'll get a new one. hopefully this loss will not tear me a new one. thank you to you and yours.Aaron:
What is your current mailing address and if we speak to someone where should we tell them to return it to. Do you have a friend with a phone number that the person can call to coordinate a return? Did you call AT&T broadband and personal instant messaging service company to get your plan suspended?Aric:
Did you fart into a paper bag?Aaron:
I called your phone and left a fart message. It appears to still haveAaron:
power and be somewhere. A trick I like to use is to go out on the
street and ask everyone you see if they've seen your phone. If they
say no don't just give up that easy. Sometimes you have to use a
little bit of "persuasion" to get info out of individuals.
Aric says it's at the Tempura House Restaurant in Coral Gables, FL. What the fuck were you doing in Coral Gables last night?Cole:
Herons communicate by farting. I'm getting a new phone, do you want myTyler:
old one? its a little smelly.
thanks everybody. please give it a try later on tonight and tomorrow if you will. i'll get a new phone on saturday if it doesn't turn up.Aaron:
Dude, go to the Tempura House Restaurant. That's where it is.Aaron:
That doesn't ring a bell?Aaron:
Hello? Anybody?Aric:
Hello? Tempura House. Would you like to try our lunch special?Aaron:
Uh, yeah, that sounds good. Can I have the vegetable tempura, and myAaron:
friends phone as well. Also, what types of beer do you have?
And I just want to double check...you're not the police, are you? IAric:
would naturally be worried about an officer serving me lunch.
No sir, I am not a police officer. But I just finished serving a police officer our lunch special. It's a grilled heron breast served with 2 quail eggs and a cell phone in a brown paper bag farted into by our top chef.Aric:
Oh, and for beer we have Molson, Coors Light, and Woodchuck hard cider.Aaron:
This police officer sounds familiar...did she have short brown hair,Aaron:
about down to her shoulders? I think that might have been my wife.
In any case, was it my friend's cell phone that you served with the
grilled heron and then handed over to the officer?
And can you make a black and tan with Molson and Coors Light, with the
Coors Light on the top?
Or would you recommend a cider bomb with Molson and Woodchuck in a
sake glass suspended by chopsticks just seconds before I slam my fists
down on the table thinking about that Bitch and then plop! A nice
mixture of Molson and hard cider.
Oh, and Tyler...don't forget to check at the Tempura House Restaurant.Aric:
I think you might have left your phone there due to a recent visit.
And as a reminder Tyler, if you've recently been inside of an Asian restaurant in the San Francisco area lately, particularly any restaurants specializing in tempura, they may have your cellular phone.Cole:
is it an iPhone? those are pretty sweet.Cole:
this cell phone mess is about as confusing as this storyTyler:
http://www.kansas.com/news/updates/story/339011.html
you know, it's funny. the last place i ate was a tempura place. really. i'll go ask them tomorrow.Aaron:
Now I think he's on the right track. Was it called the Tempura HouseAaron:
Restaurant?
Way back in this email session I wrote, "Aric says it's at the TempuraTyler:
House Restaurant in Coral Gables, FL. What the fuck were you doing inCoral Gables last night?" I wrote that because Aric called me and
told me to tell you it was there. He must have had someone pick up on
the other end of your phone from the restaurant. He told me to tell
you presumably because he wasn't next to an Internet terminal. So, I
thought I would "tip you off" by mentioning the tempura thing.
Apparently it didn't ring a bell at the time. I added in Coral Gables
(the city that I work in), for comedic effect, but this may have
sidetracked you further. I think you should check at the restaurant
that you ate at recently that served tempura.
yeah yeah i get it now. i'll pick the phone up today. you know, it's hard to take these emails at all seriously, but i should of put two and two together. the story: tuesday night i got some chicken donburi at a restaurant called the Tempura House Restaurant, right before class and I was in a hurry and only ate half my meal and then asked for a box and made a little to go package and in the process forgot my cell phone which I had set out on the table to remind myself how much time I had to eat...
reading this emails, at the first mention of the tempura house i thought about where i had eaten but didn't understand why the person from the tempura house had called one of you guys, which is a total failure of my imagination in the sense for some reason i couldn't imagine that you all had called and spoken to the guy who works there quickly enough...i think that was the thing: the rapidity of the response that threw me off, (and the fact that i wasn't in coral gables), because i sent the email and then ten minutes later you mentioned the tempura house and i thought it must be a conincidence. what finally did it was maybe the fifth blatent reminder, i think written by aric, that asked me to think about if i had eaten at a tempura restaurant in san francisco...that one hit. thanks for keeping the in formation coming. the funny thing is that i was actually going to get a new cell phone this weekend.
The void eternally generative. Wen Fu. It feels good to say that, to imagine myself saying that. Had a conversation with Shorewood following Chris’ lecture on Alberto Masferrer, an El Salvadorian writer; the lecture’s history leading to a memory, leading to a sense of place and closure. Always a beginning, I asked Shorewood, the man sitting next to me what he though gender normative is and he replied the societal standards enforced by our culture, manly men and those around us. One Big Self. Photographs of walls being built and children painting them.
Monday, March 10, 2008
Thursday, February 28, 2008
A month ago I asked Amy if, when rescheduling our couples therapy appointment, she would “tell her” (Lesley, the therapist). Amy responded that she would tell Lesley that we were “broken up” and I responded that a better way to say it would be that I am “moving out”, and went on to justify this as a more accurate assessment of the situation; that “moving out” is literally what is happening, thus avoiding the dramatized “break up”; lives crumbling and tears flowing. I don’t think I could go through with moving out if I were to think in terms of finite separation, or terms that never made sense to me. I think it’s more complicated than that. And when complexity arises, I figure the best way to accurately represent a the situation is to explain only what one can see; to let the actions speak for themselves.
Two summers ago in
I remember my radio show in college, where at 1:45 AM Thom and I would stage the “1:45 Talkabout”, where instead of playing music we would talk to each other, take calls, play sound effects or what-ev; fill up the fifteen minutes until 2. Once, talking about a local scandal that neither of us knew anything about (the resignation of the student body president), a call came in telling us to quit talking about things we didn’t know about. The caller was angry and well spoken. We laughed and then changed the topic.
Tuesday, February 12, 2008
I remember this feeling of emptiness, beyond nothing "to do" into feeling nothing inside of me: no direction or will, no 'spring' of life bubbling up from the platform of ourselves. I began to tell this story for the first time about three years ago to a therapist, randomly trying to get to the bottom of my relationship with my father.
The feeling could easily be confused with depression but I don't think a nine year old can be depressed, at least not in the way that I understand depression. But whatever this feeling was, it has stayed with with me. Psychologically (I think), what is at stake is not the feeling of emptiness but the fact of my perception regarding it. Inherently there is nothing wrong with nothing, right? I mean, how could "something" be wrong with "nothing"? Beyond semantics, nothingness seems to me the baseline for the universe and by universe I mean everything; that is, we return to it always hence the term "eternally generative void" (Wen Fu). That always, something emerges from nothing; our being being born and the silence at the end of a sentence, just beneath the surface of everything we do.
Psychologically, what is at steak for the science of, is the concern or direction and quality of my attention vs. this observation. In other words, why does this bother me? Why do I remember? What is the stress or what am I really talking about? George Oppen:
The self is no mystery, the mystery is(from "World, World--" as found in the book This In Which)
That there is something for us to stand on.
Monday, February 11, 2008
Recently I’ve been thinking about the importance of community and the pointlessness of an isolated practice in anything. This is the short version. The long version begins with The Grand Piano, a series of “collective autobiography” books by the Language Poets about their experiences together in the late seventies. The books have been enjoyable, learning about their lives and the movement, but only yesterday, reading Barrett Watten’s passage in the 5th book of the series, did their ‘thing’ being to clearly emerge. That is, a stress on group dynamics and honesty rather then on an individual aesthetic or the craft of a poem; coming up together or all boats will rise. Watten mentions the modernist movement as cementing the artist as individual, and in thinking about some of my favorite poets, like Wallace Stevens; the awe one feels when reading a Stevens’ poem seems built in, and results in a distancing effect. Never am I inspired to write after reading a Stevens poem, and if I try I fail, discouraged by the perfection of his words and ways in my mind.
Then again, other favorites like George Oppen harp on the notion that we live amongst each other by choice, and in reading him I feel as if I am gaining know how of what’s going on, akin to reading a newspaper or an essay that resonates. His form inspires me but his clarity of thought seems singular, though I’ve had more success after reading him than Stevens. I’m coming to realize that the emptiness that is showcased at the center of a lot of my writing (and myself), is not just a thing that happens to be there, but a result of the method by which I choose to write and live. I’m talking about the immensely competitive ‘best-writer-in-the-room’ mentality that I’ve been developing since college. Its affect, though helpful for producing fine tuned pieces of art and gaining individual recognition, is unsustainable as a way of life in a world where frequent if short interruptions/communications/events (think email, text messages) determine the rhythms of our lives, for better or for worse.
In a way, what I’m trying to say is that my mode of being is outdated. More importantly, I’m trying to say that living right as an everyday process and the value of living immediately and without compromise sustains people in the long run. That accord, though subtle and anything but spectacle, is a preferable way to live; the life as art kind of thing rather than the other way around. In terms of my past practices, I’ve willingly alienated myself in name of ‘art’. This seems wrong, not in the sense of an individual choice, but in a communal this needs to change if we want to keep on living, persevering.
To me this is what the language poets were suggesting, at least in The Grand Piano. In practice, who knows if that’s how it turned out. But I imagine that this is how the language poets could be read: that ultimately a book is credited to a single author and in this context, talk of community seems like lip service to an idea that ultimately showcases the individual: the individual as our most basic unit of our humanness, our dasien, our being; that can’t be transcended. How to co-exist as an individual and a member of a community seems to me, one of the more immediate questions that they raise.
Or, what’s more helpful and less Californicated to me, is the realization that 20th century poetry is full of tragic stories and craziness. The idea that poetry must somehow trace the border of mental illness to be authentic has, despite our best intentions, stayed with us and our culture. Kurt Cobain, Nietzsche, Karl Marx, whatever infinity; the life of self/other-destruction. Instead, maybe it would be more helpful to look towards the long term model and use this as a basis for value. That the measure of an artist should not only be gauged by the work but by the artists ability to “be there”, or simply, to persevere and adapt. Robert Creeley, though some people say he did his best work when he was young, lived on and taught and was available: a model that changes and knows that there are other ways to be.
Wednesday, January 30, 2008
here is a "play", circa 2004.
2004
Setting: A hotel room in the style of the Best Western or Holiday Inn. A queen size bed, a low dresser, and a television on top of the dresser for example.
A man in his 30’s dressed in causal garb (slacks, tennis shoes, polo shirt) opens the hotel room door, enters with his bags, set them down on the side of the bed closest the window, and sits down on the bed. He takes off his shoes. He looks around. He gets up and slides the window curtain apart and looks out, seeing nothing, then opens a few drawers on the dresser. Seeing nothing inside, he closes them. He sees the remote control sitting on the television and picks it up, and returns to the bed, this time propping himself up with pillows, his legs all the way on the bed. He turns on the television and watches it. He flips through the channels. This goes on for five minutes.
He turns and picks up the phone on the nightstand. He pauses briefly to look at the information posted on the phone and dials one number.
Man: Hey there, this is room 227. I’m calling for a wake up call at six o’clock.
The man listens to the voice on the phone
Man: Great, thanks. [hangs up the phone]
He leans back, continuing to watch the television. This goes on…
1st Person in Audience: Boooooring
The man looks out at the audience with a confused/pained expression, then gets off the bed and leaves through the door.
The television remains on. Two minutes later, the hotel room door opens and person in a chicken costume enters, holding a silver platter on which a letter sits next to a letter opener. The chicken turns off the television and sits at the foot of the bed, opening the letter with the letter opener. He begins to read…
Voice Over: Dear chicken. I got your urgent message. I understand you.
Monday, January 28, 2008
I'm teaching one class this semester (Narrative Documentary) and supporting three other classes, which means that I will sit in on them, take notes, and offer assistance to international students that may have lost something in translation. That, and also working with international students in the speaking and writing lab. I enjoy the smaller groups of students, and also the international students, the opportunity to be a stranger in a strange
Audience: Booooooring
Aric and I used to go to an Arcade in Madison named Tilt. One day, scrounging together nickels and dimes, we presented our wealth to Pete, the manager, and he complained: "Can't you guys go to a bank?" Later on around this time, after our relationship with Pete matured a little, he let us stay after and play for free. He took the glass off of the Jurassic Park pinball machine and let us flick the bells and targets, unlocking all the secret levels and bonuses without having to put in the work; learning what would happen if the game was played to its end. I never played the Jurassic Park pinball machine again.
Wednesday, January 16, 2008
Sunday, January 06, 2008
Saturday, January 05, 2008
Tuesday, January 01, 2008
Monday, December 31, 2007
Saturday, December 29, 2007
Monday, December 17, 2007
Monday, December 10, 2007
Thursday, December 06, 2007
“drugs?” I suggested. “The Internet.” he finished, and we parted.
Monday, December 03, 2007
Thursday, November 29, 2007
Wednesday, November 28, 2007
I worry that some person who I used to be is dying, some sweet open guy having a difficult time finding his way. Maybe if his luck had been better he would have found the necessary community to embrace him and take care of him in a meaningful way.
Instead we get bitterness the outcome of failed expectations but there is more to it than that, that a construct of some aspect of personality, once uncovered, must be changed in order to avoid excessive self-consciousness; in the name of perseverance and adaptation.
If what is really there is unchanging, some idea of movement or the sudden stillness that attention brings, ideas of who and what don’t matter. That willful naivete is actually harmful past a certain point, and though we like to be reminded of children
and the unspoiled mind, it’s important to consider that time goes on. In eastern philosophy this seems to be one aspect of life that is portrayed much more successfully than in western philosophy; the spring pond and the moon rising, the long winter in a single sentence.
Wednesday, November 21, 2007
I look for an authority and find none. A true conviction, as if writing is your middle name, contentment, and leaving behind old habits. Still, we insist that I work. Floating just above the water, above the unpotable murk; lotus seeds, or nuts, can be eaten raw or popped like corn, boiled down in a paste and when combined with sugar made into delicious pastries.
Thursday, November 08, 2007
Wednesday, October 31, 2007
I was deeply devoted to Tao.
Recently I came to live
in the mountains of Chung-nan.
Oftentimes--with joy in my heart--
Alone, I roam here and there.
It is a wonderful thing
That I am aware of myself.
When the streamlet ends my trip
I settle down and catch
The moment of rising mists.
Now and then I meet
A furrowed dweller of the woods.
We chat and laugh;
Never do we want to go home.
-Wang Wei
**
When it was dark, I reached the village of Shih-hao.
Late at night an officer came to recruit men.
The old man in the house climbed over the wall and fled.
The old woman opened the door.
How the angry officer was raging!
How bitterly the woman was crying!
I heard what the old woman said:
"I had three sons for the defense of the City of Yeh.
Only one of them sent me a letter.
The other two boys were killed in battle.
The one who remained may not live long.
The dead are gone forever.
There are no more men in the house
Except my grandson who is still fed on milk.
Because of him his mother stays with us.
However, she has no whole skirt to go out.
Although I am old and have no strength,
Let me go with you, officer,
To immediately answer the urgent call from Ho-yang.
At least I can do some cooking for the soldiers."
Later in the night their conversation stopped.
What I heard was something like sobbing.
At daybreak I started out again on my journey.
I could only say "Good-bye" to the old man.
-Tu Fu
**
These poems were taken from "Creativity and Taoism" by Chang Chung-yuan